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The district George Tartaglia

Pollena Trocchia - With a brief interview following the geom. Raffaele Di Tuoro (1), were collected some information on the birth of the ward "Tartaglia" located in the town of Pollena Trocchia. The land that today houses and buildings also accommodate several floors with dozens of apartments, were at one time Property of Mr. George Tartaglia. The first building constructions were built in the sixties of last century and at that time, the first residents knew each other and we went to. Today, however, the district "Tartaglia", which covers about ten acres, looks like a typical dorm district because many of its inhabitants are the perfect anonymous.

Geom. Tuoro, she has met in person the Tartaglia landowner George?
I met him at the "Calasanz" of Naples in the third high school, and since then we have remained close friend until he died.

Mr. Tartaglia him directly cultivated land of his property?
No, not cultivated the land inherited from his father but had the settlers. When he then proceeded to the sale of various plots of land, ensuring that its settlers approximately one third of the money raised. Personally, I had to acknowledge that, in that operation, Giorgio Tartaglia was content to what he deserved, then that money invested in the purchase of some local, to ensure at least a rent. With rents frozen soil, in fact, hardly felt the money to pay taxes.

In which area of \u200b\u200bthe district was situated the house of the owner or the settlers?
The farm stands in the way of the Apicella, and housed two settler families of the same strain.

In summary, the district has risen as "Tartaglia"?
The subdivision was designed by an architect of Herculaneum and Torre with the lawyer Gaudino, and was only sold in one lot to one of the settlers with provisions to be sent to all prospective buyers. In two or three years, however, failed to sell a lot more because the prices were not those referred to Pollena aspiring architect. After two or three years represented. Gaudino Tartaglia suggested to my name and he, remembering that we were friends, he phoned me. With the help of a good broker Pollena began as a sales rate of small lots to workers and artisans of the country, in part, built directly aided by the work of wives and their children. Then there were the sales of land to those who had at least money to pay for the land, and only towards the end even those who had the money to build. At the time, in any housing development, we used the notary was always the same, even for the fractionation and design were addressed at the same person. With the subdivision "Tartaglia" was the notary trust the buyer, provided that at the time of conclusion, might I present or represented. Gaudino, which were imposed to ensure that the pacts made with the first act sales. Even for the type of splitting the expert could be trusted as long as the buyer I was present at the measurement and control processing on behalf of Tartaglia. Except the first, most of the types of fragmentation have been developed by other experts. Even most of the buildings were designed and conducted by different technicians. Personally, I took care of fellow citizens and those of almost all free, or pay only costs lives.

One of the problems of the ward "Tartaglia" is the lack of public areas to green spaces, plazas and sidewalks. How would you explain this gap?
This was the wrath of George Tartaglia: more Sometimes he offered to donate the land to the city demanding to know which side had to give this kind of public works. The community leaders, however, wanted for him to carry out the work. This request was only an excuse: the community leaders wanted, as often stated explicitly, that I took from Tartaglia commissioned to protect its interests, what, however, that he never wanted to do, even though I tell him repeatedly to make them happy because I could still "look at things from afar." Stubbornly, and I remember it well, Tartaglia has always said: "I do not sell more than one square meter of land but they can not get into my things." ( by Carlo Silvano ) ______________

(1) Raffaele Di Tuoro Pollena Trocchia was born in 1928, and since 1998, draws, prints and distributes "The Citizen", and open information magazine addressed to their fellow citizens Pollena Trocchia.

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1958 and 1964, air disasters in Pollena Trocchia

"Bonn, February 16, 1958 - The Air Force Command of the United States in Europe announced this morning that a unit from Wiesbaden C-47 Dakota", having on board seven man crew and nine passengers , flying between Naples and Athens, is missing and that searches were undertaken.

With this note of 17 February 1958, the newspaper Il Mattino di Napoli informed its readers of the death of a U.S. aircraft that, after refueling on the runway of the airport of Capodichino military was broken at 22:22 and then direct the first in Athens go to Istanbul.
After an initial radio contact with the control tower, the pilot did not provide any more news. At first there was no particular concern on the part of air traffic controllers, and later, however, the hours passed and the complete radio silence, it was feared the worst: at dawn searches were started immediately hampered by bad weather. Since
that the U.S. plane was required to follow a precise route, ie along the Campania and Calabria, before heading for Athens, reconnaissance parties from Tripoli, Malta, Catania, Athens and from the aircraft carrier "Saratoga" in those days stood Naples, unnecessarily concentrated in areas that the plane had to cross. The searches continued for four days and despite the adverse weather conditions. The plane, however, had not fallen into the sea but had crashed on Mount Somma.

on "The Morning" for the next 20 February, in fact, states that it is due to Raffaele Mercogliano, a municipal guard of the City of Pollena Trocchia, the first sighting of aircraft wreckage. From the newspaper we read that Mercogliano " was discussing yesterday morning in an area of \u200b\u200bhigh Pollena with some neighbors about the weather. He raised his eyes to the mountains, and at that moment a ray of sunshine has something glittering on the ridge northwest of Cognoli. At first glance the Mercogliano, without giving excessive weight to the thing, also considered it necessary to inform the Mayor of Pollena Trocchia . And the mayor, in turn, shall notify by telephone the police barracks near the town of St. Anastasia.

From "The Morning" we learn that - at about 12.20 - an American reconnaissance plane "B-26" sighted the wreckage of the "Dakota" disappeared, and rescue teams arrived in the afternoon on the point located: a grove of acacia trees at 1065 meters high (1). At 16:09 is the discovery that the chronicler describes as "A show is horrible then lodged in the eyes of those who have first approached the wreck. Ten black spots on the snow: Ten bodies horribly mutilated and semicarbonizzati. Five and possibly six, with the only wing apparently remained intact, piled like a desperate embrace, three at the shattered fuselage and the tenth bites from a few meters from the plane, his head still covered by a charred helmet semiaffondato in the bare earth. The wristwatch of one of the victims had stopped at 22.30. Maybe a faulty altimeter must have misled the pilot took the view that it has already bypassed the Vesuvius, the impact here. "

According to a journalist of "Il Mattino" the sixteen Americans would have all died instantly, the newspaper "Rome," however, offers another version of reporting the statements of the then Mayor of Pollena Trocchia, Chambers. Antonio Di Tuoro , who, along with vigilant Mercogliano, an alderman and a city councilman, was among the first on the scene of the accident. "The plane - Said of Tuoro - lay reclining on a hill with the wings detached, almost lying on the side of a nacelle, the other thrown about seventy yards away. The front of the fuselage had literally exploded. One of the corpses had hands clasped around the temples. It compresses even as the ears not to hear more ... in one of the pockets of his tattered jacket We found a wallet, it was contained in a military document which establishes his itinerary: Belgium, Germany, Italy, Greece, Turkey, Spain and Great Britain. E 'come up here to die instead. If it's been alive, as I think, his agony must have been terrible. And to think that if there had been a lot of haze in recent days, the wreckage had been spotted immediately. Everything has conspired relief because they have arrived in time .

Beyond the accident of February 16, 1958, Mount Somma was the scene of another air disaster: the night before Easter in 1964 another plane crashed on the side that falls within the territory of the Municipality of Pollena Trocchia (2 ). Even at that time, a high number of victims and, unfortunately, there were also incidents of looting. Three months after the disaster of 1964 Pollena a person - I have heard - found himself on the spot of the disaster other human remains and, in that place, erected a wooden cross, which, however, stood for a few years. ( by Carlo Silvano )

________________ (1) It is most likely to check the place where the disaster took place, since it seems unlikely to have occurred at 1065 meters, as reported by the newspaper. In this connection it is recalled that Mount Somma has a height of 1,132 meters in Punta Naso.

(2) The plane crashed on a chestnut owned by the parish of St. James Pollena. In the fall of 1988, in the company of several people, including the parish priest Don Giuseppe Cozzolino, so I had to visit the place of the accident: there were still some wreckage.

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The chapel of San Martino, extra Villam

Pollena Trocchia . One of the oldest chapels Pollena had to be one of San Martino most likely located near the present location Carcavone on Monte Somma, and disappeared in the late eighteenth century after a terrible flood (almost certainly that of 1794).

Even today this area lives in a profound state of deterioration due to geological activity of two quarries that extract sand for years for use in construction. The first news we have of cappella di San Martino risalgono alla visita pastorale dell'arcivescovo di Napoli, il cardinale Carafa, del mese di agosto 1542: << Et visitando capellam Sancti Martini, extra dictam villam, repertum fuit quod est rettor abbas Fabritius Campanilis, qui postea comparuit et produxit litteras provisionis sibi facte per b.m. Donatum, episcopum Hysclanum et vicarium Neapolitanum, per quem provisum fuit de dicta capellania vacante tunc per <...> Honorati Ricca. Constat per easdem litteras subscriptas manu condam notarii Constantini Ferrarii sub anno Domini 1527, die V° mensis aprilis >>.

Della cappella di San Martino parla anche lo storico locale Ambrogino Caracciolo riportando la testimonianza di alcuni peasants, who asserrivano that the chapel was once a monastery. Caracciolo adds: <<... is the firm belief of the individual farmers who rank must be hidden there a statue of St. Martin on horseback all solid gold. This view, however, that only based on a legend, I should not have any basis >>.

In the third book of marriages of the Archives of the Parish Church of St. James the Apostle of Pollena mention is made of the chapel of San Martino to the grout. This chapel is not in any way be confused with the Carcavone having to be run by the Chapel of the Carmine fathers Carthusians had evidently San Martino also entitled to have as a reference in fact having the Carthusian monastery located near Castel Sant 'Elmo in Naples. Most likely the chapel of San Martino al Carcavone was founded by Carthusian fathers and not to exclude their stable presence giving testimony to the faith of the farmers cited by Caracciolo. If so we should conclude that the Carthusian monastery on the hill of San Martino in Naples had in the past few properties in the territory of Pollen. However, a monastic presence in St. Martin was certainly prior to 1700 in the early eighteenth century, the chapel was in fact prepared by the priest Francesco Di Leo, a native of Calabria (almost certainly of Crotone) and resident in the house San Sebastiano al Vesuvio at the home of Mrs. N. Frezzi happy.

______________

Taken from the book "The community of Pollena 1760 to 1819 - Notes social and religious history," Charles Silvano, printing GM 1998, pp. 120.

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Villa Santangelo: a jewel lost forever

Pollena Trocchia . There 's been lost forever, despite Ambrogino Caracciolo wrote that it had been carried out around the story of Pollena in recent centuries. We are talking about Santangelo villa, built in the suburbs of the city in the first half of the seventeenth century and destroyed a few decades ago to build one of three buildings of the Institute Sisters of the Angels.

The main news story of this villa is collected in a volume of Ambrogino Caracciolo, entitled "On the origin of Pollena Trocchia and dispersed the waters of Vesuvius and the possibility of exploitation ofa Monte Somma for tourism" . In this book (published in 1932 and reissued in 1991 by the Pro Loco "G. Donizetti"), the author argues that the villa was built by the family Capece plain, and later, in 1736, was purchased by the Marquis Paul Franco of Salcombe. With new owners, the villa was enriched by other structures and premises designed by Michael Massa . It was so built a new apartment with a large gallery, and made the rooms to house the archive and library of family. Caracciolo reports that the construction of such areas and for expanding the team, it took the purchase and demolition of some houses and a plethora of shacks. This note is important to imagine what could be the time the urban structure of the village of Pollen. Another treasure of this house was his park, in all probability, would be much more extensive than at present. The Franco Caracciolo argues that the family was home to many aristocrats and Pollena the Bishop of Sant'Agata dei Goti, S. Alfonso Liguori . Later the villa was bought by the family of Nicola Santangelo and, among other things, Caracciolo writes: "During the long rule of Santangelo most illustrious personages of the kingdom were of passage for Pollena to make an act of homage to powerful minister, and so King Ferdinand with all the principles of his family there was a day from Portsmouth to donkey for a sudden that seemed rather due to a court intrigue. Finally in 1845, when Naples was home to a solemn Congress leading scientists of Europe, Nicola Santangelo summoned them all to a sumptuous banquet Pollena hundred guests ". This villa also were gathered a rich collection of prints and paintings from the palace in Naples Santangelo of injuries suffered by the waters of Serino.

If the loss of Villa Santangelo is a very serious attack on the history and local culture should not believe, however, that all is lost. Should re-evaluate the park and collect more documents and historical information about the villa in order to share this information through a publication and an exhibition history. Only with the knowledge of his past, citizens and public administrators can appreciate their country and strive to improve their quality of life. (Carlo Silvano)

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The church of San Giacomo di Pollena: a heritage that belongs to all

The building the present church dedicated to St. James the Apostle of Pollena was due to some priests who collected the money needed and followed the work. And if you normally work each devotes to the memory of posterity the name of its architect or who has commissioned a peculiarity of the church of San Giacomo is that thanks to some documents kept at the Diocesan Archives in Naples, we also know the names of individual workers who fabricated their own hands a temple that for some centuries has been the symbol of religious and social community.

The Acts of the pastoral visit made by Cardinal Luigi Ruffo Scilla in 1818, we learn that it was Don Andrea Ilardo (pastor 1760 to 1775) to collect the first offers, and to begin to work on the construction of the church was Don Filippo Coppola (pastor from 1775 to 1785). During the works of those who provide their name is the teacher "gilders" Lorenzo D'Ambrosio, and teachers "plasterers" Antonio and Giuseppe Vignati. For the realization of the high altar was called the sculptor Domenico Tucci, who created - a design engineer John Piscicelli - are the two holy water fonts bardiglio placed on either side of the entrance to the Church. After the blessing of the church, in October 1787, the then parish priest Francesco Rossi, the work continued until at least 1794. From a written

of Rossi who was accountable for their actions and the money spent by the Archbishop of Naples, we know that around 1790 a worker of the place, named Antonio Ascione, worked "in making stone quarry lapillus and deployable for the factories of the Church" . The material was mined from a quarry located in a town called Pollena de Bonati. From this quarry, then, the material was transported to the church being built by a trooper of the country named Vincenzo Busiello. Another worker, Giuseppe De Luca, cut and prepared the stones "sweet."

work to end the church had to continue until at least 1794 in an archbishop's decree of 19 October 1793 reads that a local resident, Vito Antonio Sannino, penance was prescribed for a job for five months at the yard of the church of San Giacomo. At Sannino, says the decree, was asked this penance because he married his first-degree relative.

__________

More news and information about the church of St. James the Apostle of Pollena can be found on the volume "The community of Pollena 1760 to 1819 - Notes on social and religious history" of Carla Silva, printing GM 1998, pp. 120.

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Musicians

Pierre de Bethmann - piano

Jules Bikoko Bi N'Jami - contrebasse

David El Malek - tenor

Dré Pallemaerts - batterie

French vocalist Laika Fatien (she goes by her first name only and sings in English on the album) is quite capable of taking daring leaps, but she's only interested in doing so when the song demands it, not when the whim overtakes her.
For her it's always about the lyric; Fatien's great strength is in digging her way to the root of the song, allowing her natural abilities to take it from there, and then giving it her all.
On the gloomy, stark "Where Are the Words," Fatien is practically subdued, her soulful delivery riding just above pianist Pierre de Bethman's bluesy tones, together conveying the song's heartrending story as it asks to be told.
Similarly, on her cover of the Beatles' "Eleanor Rigby" , Fatien sheds the original arrangement entirely and strips the song down to its core; its loneliness is quite evident in her poignant, minimalist re-think of the classic.
But "Look at Me Now!" , which became a hit in Europe two years before its U.S. release -- isn't all about sultriness by any means.
A song like "The Best Is Yet to Come" , having been recorded by countless others, demands a certain swing and Fatien has no trouble delivering it, with saxman David El Malek providing melodic counterpoint.
And on "Zigaboogaloo" , Fatien and her quintet are practically giddy with enjoyment. None of this is to suggest that her preference for measured vocalizing disallows her to take off: on Wayne Shorter's "This Is For Albert Ayler" , she pays appropriate tribute to the song's subject by bending and stretching every which way, remarkably without ever losing sight of the intimacy that defines her approach.

SEE YOU LATER SPACE COWBOYS!!!

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Buongiorno a tutti gli audiofili,
finalmente mi hanno riparato il preamplificatore...appena installato e configurato ho acceso il tutto...un pò titubante...

FAVOLOSO!!!!!!!!!!!!!!

Suono caldo e pulito proprio come piace a me.

Qeuste le modifiche che hanno the affected machine:

substitution:
1) 2 CS 3310 old with new and more performance Burr Brown PGA 2311
2) 6 tantalum capacitors
3) components of protection from clipping coupons
4) 3 valves that were probably been damaged by discharges

Now, thanks to the fabulous technical "Sandro Lotti" of Piacenza LASA, it works perfectly, and beyond that there are more empty, it is certainly quieter and seem to me that sounds better more Aeros.

By the way, if you use it with his final Sonic Frontiers, which has a very low sensitivity, things improve a lot, while with an ending like the Electrocompaniet, very sensitive, the noise is somewhat noticeable if you approach the cashier, but I would say that is really merginale and then let's face it ... we are in the presence of a pre-VALVES so do not expect the noise of a solid state and not even try.

Good listening to everyone.

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Protocol shitty, frills to no end, then people can not use it and becomes a nuisance shocking managing to "decipher" some messages due to smile instead of words.
The ICQ was better!

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Beautiful disk Unplugged Bryan Adams, who always manages to thrill and surprise.
Excellent sound quality, excellent non-trivial and the track-list: there are hits like "Summer Of '69" & "Heaven" but lack of other space to do but hit songs little known and completely rebuilt as "I'm Ready" & "Fits Ya Good" . Beautiful including new versions of "Heaven" & "Cuts Like A Knife" Asalto that its unique and distinctive vocal timbre. Chicca
the CD are the three new tracks: the romantic "When You Love Someone" , the perky " Tou You Back" (single launch of the disc) and "A Little Love" , escaping from his standard music royalties. In short, a cd to have for fans and for those who want to discover for the first time although I think will be very few ....

TIP: Buy it NOW!

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Maybe today ...
Maybe today ...
Maybe today ...
Maybe today ...
Maybe today ...

the baby comes home ... I still feel that you never know!

Regards to all.